Author: Sarah Noble

The audience at Royal Liverpool Philharmonic’s annual Messiah were treated to a performance by Benjamin Appl, the venue’s 2024/25 artist in residence. Despite being better known as a baritone, Appl made his conducting debut at the event. Though his earnest pre-concert introduction and focused, slightly nervous presence on stage didn’t necessarily translate into a fully… Continue reading Royal Liverpool Philharmonic/Appl Messiah review – Benjamin Appl makes solid, if sparse conducting debut

The Royal Liverpool Philharmonic Orchestra performed Ernest Chausson’s Poème de l’Amour et de la Mer, accompanied by Wagner’s Prelude and Liebestod. Although the contrasting pieces risked miscommunication, the performance resulted in an impressive interpretation of Chausson’s song cycle, with a stunning solo performance. Sonya Yoncheva’s opulent soprano shone alongside the orchestra’s burnished string tone and… Continue reading RLPO/Hindoyan review – vivid and eloquent, plus the warmth of Dvořák’s sunshine