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Georgia Griffiths, a 26-year-old poet from Merthyr Tydfil, describes spoken word poetry as her greatest form of therapy. She believes the surge in poetry shared across social media platforms reflects how people increasingly feel the need to express themselves, especially given today’s tense political atmosphere. For Georgia, writing poetry has been a crucial way to make sense of the world around her. She hopes that her Valleys accent encourages others from working-class backgrounds to write and share their own work, demonstrating that poetry is accessible to everyone.
Her work often touches on powerful topics such as domestic violence, Welsh identity, and working-class life. Georgia’s poetry journey has been marked by significant achievements, including winning the Glastonbury Slam Competition and taking part in the World Slam. Growing up, she was fortunate to have a creative father who motivated her to pursue something she loved rather than just focus on money. Early on, Georgia began writing poems about her friends, sharing them casually. A pivotal moment occurred when she was 18 and living in Australia, where a close friend’s suicide led her to write a poem that connected deeply with others when she later performed it at a memorial event. This response encouraged her to continue performing and eventually publish a poetry book.
Georgia’s creative process is inspired by the everyday world, often triggered by snippets of conversation or news stories. She describes her style as “real, raw and honest,” favoring simple language and rhythm to reflect authenticity rather than complexity. Much of her poetry is rooted in her experiences growing up in Merthyr Tydfil, where she feels working-class perspectives are often overlooked. Her goal as a poet is to amplify voices that are sometimes unheard, showing that poetry can serve as a potent vehicle for personal and communal expression.
Alongside Georgia’s story is that of Matt Nõmme, a 35-year-old poet from Cardiff who also highlights poetry’s role as a tool for understanding and deconstructing the world. Matt’s entry into poetry was somewhat accidental—he wrote his first piece while spending time in an A&E waiting room. By 2023, he had
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