Bridgerton series four brings taboo in the bedroom to the fore

Bridgerton series four brings taboo in the bedroom to the fore

The fourth season of the Netflix hit *Bridgerton* brings viewers back into the Regency era with another whirlwind debutante season filled with romance and societal intrigue. Central to this installment is a fresh storyline that explores a rarely addressed topic: the lack of knowledge about female sexual pleasure during the period. This theme unravels primarily through the newlywed couple Francesca Bridgerton and John Stirling, the Earl and Lady Kilmartin, as they confront the challenges of intimacy in their marriage.

Despite their titles and social standing, Francesca and John face a frustrating disconnect in their bedroom, largely due to Francesca’s uncertainty about what she should be experiencing. Seeking answers, she turns to her close-knit circle of women—her mother, Lady Bridgerton, and sister-in-law Penelope—for advice. Actress Hannah Dodd, who plays Francesca, highlights this dynamic, saying, “It was really nice to see Francesca leaning on her female counterparts to go and get that information but it’s this unfair thing where men are allowed to have experience and women are not allowed to have experience.” She further explains the difficulty in gaining knowledge about physical and anatomical reality when such conversations were taboo: “Unless you can have those conversations, I don’t understand how women were meant to get this information … Francesca doesn’t know what’s meant to be happening!” The series portrays these moments of openness between Francesca and John, showing the couple navigating their relationship with honesty despite their introverted natures.

Another significant aspect of the season involves the subtle representation of neurodivergence. Although author Julia Quinn did not explicitly write Francesca as a neurodivergent character, she expressed joy that some autistic viewers identified with Francesca’s need for quiet space and her discomfort with societal expectations. Hannah Dodd echoes this interpretation, noting that while neither she nor co-star Victor Alli was initially aware of this element, it emerged naturally in their performances. Dodd emphasizes the importance of diverse representation on screen, stating, “But to acknowledge feeling slightly different to your siblings and how society is going about and if that’s not fitting quite right with you… it’s really important that everybody sees themselves represented on that screen so if we’ve included another group of people, then that’s amazing.”

While Francesca and John’s journey highlights intimate and personal themes, the main narrative thrust of the season centers on Benedict Bridgerton’s romantic life. Benedict, portrayed by Luke Thompson, finds himself enchanted by a mysterious guest named Sophie at a masked ball. This “Cinderella” storyline simultaneously explores a rarely depicted area of the series universe: the servants’ quarters. Actress Yerin Ha, who plays Sophie, comments on this fresh perspective, noting, “We’ve never seen the downstairs world of Bridgerton before… and the real problems that those characters have to face and how they navigate it.” Alongside these core narratives, new and returning actors enrich the ensemble cast. Katie Leung, known for her role in the *Harry Potter* franchise, makes her debut as the ambitious Lady Araminta Gun, while veteran cast members Golda Rosheuvel (Queen Charlotte) and Adjoa Andoh (Lady Danbury) continue to anchor the series with their powerful performances. Their storyline delves into their complex friendship, tested when the Queen insists that Lady Danbury stay by her side, highlighting themes of loyalty and self-care. As Andoh reflects, “I do think that women do a lot of facilitating … It’s not a habit that we’re generally used to exercising. And we should… manage people’s expectations as well – you’re not always on hand, you’re not always available, that you actually have your own thoughts and feelings and things you’d like to do with your time.”

The first installment of *Bridgerton* series four premiered on Netflix on January 29, with the second half scheduled for release on February 26, continuing the show’s tradition of blending romance, drama, and fresh societal insights

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