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The text describes how pantomimes (“pantos”) continue to play an important role even after the Christmas period, serving as a way to extend festive fun and lift spirits during the often gloomy January period.
Key points from the passage include:
– **Nottingham Playhouse’s Sleeping Beauty** runs until the weekend before “Blue Monday,” regarded as the most depressing day of the year. John Elkington, who has played the dame role there for nearly 30 years, notes that January audiences appreciate the panto as an extension of Christmas cheer, keeping the fun going after the holidays.
– Although audience sizes tend to be larger and more animated before Christmas, the January shows include more relaxed performances tailored for smaller, quieter audiences. The show maintains high energy throughout, despite having fewer performances per week after the holidays.
– The team has playful, riotous final performances that attract repeat visitors, emphasizing the interactive and unpredictable nature of pantos.
– Nottingham Playhouse also streams its panto online, making it accessible beyond the theater.
– **The Scouse Christmas Carol** at Liverpool’s Royal Court extended its run until 24 January due to popularity. It combines dining and entertainment, providing a festive night out during the cold, dark days of January.
– The Royal Court’s executive producer highlights that pantos provide “100% of everything,” referring to excellent entertainment and atmosphere, helping to raise spirits when people return to work.
– The panto season is crucial financially for the Royal Court, generating more than half their annual ticket sales and funding the rest of the year’s program.
– Despite economic pressures like the cost of living crisis, audiences remain loyal to the pantos, and demand often increases towards the end of the run.
Overall, pantos after Christmas serve multiple purposes: they extend the holiday fun for families, provide a social and uplifting outing amid winter gloom, cater to different audience needs with relaxed performances, and act as vital financial pillars for theaters
Read the full article from The Guardian here: Read More
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