Conclave author Robert Harris says papal selection is like Traitors TV show

Conclave author Robert Harris says papal selection is like Traitors TV show

Renowned author Robert Harris draws similarities between the process of electing a new Pope in a conclave and the dynamics of a popular TV show called The Traitors. In an interview with BBC News, Harris discusses the unexpected shifts in allegiance that occur during a conclave, likening it to the twists and turns seen in The Traitors. He reflects on the upcoming election to replace Pope Francis, set to commence next week, and highlights the unpredictable nature of the conclave process.

Harris emphasizes the effectiveness of the conclave process in selecting the right individual to lead an organization, drawing attention to the exclusive participation of male cardinals under the age of 80. He contrasts this method with the open election processes of political parties, expressing skepticism about the quality of results produced by wider membership participation. Harris suggests that a select group with intimate knowledge of the candidates should have the authority to choose leaders, emphasizing the focused and outcome-driven approach of a conclave.

While acknowledging the historical significance and efficacy of the conclave process, Harris raises questions about the exclusion of women from the Catholic priesthood and the Papal election. He challenges the gender dynamics within the Church, questioning the validity of maintaining a male-dominated hierarchy. Harris introduces the character of Sister Agnes in his novel as an attempt to incorporate the female perspective into the conclave narrative, highlighting the unique role that women play behind the scenes during such events.

Reflecting on his experience researching for the novel, Harris recalls the privilege of gaining access to restricted areas of the Vatican with the permission of Pope Francis’s office. He describes the awe-inspiring moment of walking along the corridor to the balcony where the new Pope addresses the crowds in St. Peter’s Square, underscoring the significance of his immersive Vatican experience. Harris emphasizes the emotional and dramatic intensity of the conclave process, characterizing it as a blend of spiritual, human, and political drama that unfolds like a compelling narrative

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