‘Shōgun’ just released “the best TV episode of the year”, according to critics

‘shogun’-just-released-“the-best-tv-episode-of-the-year”,-according-to-critics
‘Shōgun’ just released “the best TV episode of the year”, according to critics

The ninth episode of the Japanese television series, Shōgun, entitled ‘Crimson Sky’ has received overwhelming praise from viewers and critics, with one calling it “the best TV episode of the year so far.” The series has been compared to Game of Thrones in terms of its ingenious plot twists and elegant production. The latest episode features a nail-biting storyline of Lady Mariko, Lord Yabushige, and John Blackthorne attempting to escape as hostages, including Mariko’s shock death by dynamite.

The Esquire was impressed with the “brilliance” of the episode, claiming it the “best TV episode of the year so far.” Meanwhile, Vulture agreed episode nine was the “best of the series so far,” stating that “with that literally explosive moment, the episode ends. Remember, Shōgun warned us from the start it would break our hearts.” The New York Times also displayed tremendous appreciation for the storyline, calling it “a deception by which even the ingenious Lord Toranaga would be impressed”.

The AV Club branded the episode with an A grade, adoring the demise of Lady Mariko as it was on her terms, and “Martín’s melodic chanting played over the credits. Our dear Mariko, heart of the series, is gone. But on her terms. What will our Anjin do now?” The episode has caused a stir as fans shared their heartbreak on social media platforms, creating an overwhelming emotional response to the latest series.

Shōgun is expected to run for ten episodes as viewers eagerly anticipate the Season One finale. The Japanese series has captivated audiences worldwide with its dramatic plot twists, intricate character development, and creative direction. The latest episode has cemented Shōgun’s place in the top television shows of the year, increasing anticipation for what is next to come

Read the full article on NME here: Read More