KT Tunstall reacts to Azealia Banks singling her out on Beyoncé’s ‘Cowboy Carter’

kt-tunstall-reacts-to-azealia-banks-singling-her-out-on-beyonce’s-‘cowboy-carter’
KT Tunstall reacts to Azealia Banks singling her out on Beyoncé’s ‘Cowboy Carter’

KT Tunstall has responded to Azealia Banks’ comments about her on Beyoncé’s new album ‘Cowboy Carter’. Banks criticized Beyoncé’s new musical direction, which she has previously described as “white women cosplay”, while also stating that she feels the singer is “setting herself up to be ridiculed”. Banks said she “personally would have jumped out of my seat for a KT Tunstall appearance” on the record.

Responding to the comment by sharing NME‘s article, Tunstall has since replied on social media and joked: “To be fair, I’d have 100% got off the couch.” With ‘Cowboy Carter’ now released, fans have been reacting to the new cover of The Beatles’ ‘Blackbird’ and Beyoncé’s re-interpretation of Dolly Parton’s ‘Jolene’.

But she did go on to find room to praise aspects of ‘Cowboy Carter’, including the “great work” by the “band/producers/engineers”, suggesting the record “might be her most sonically cool attempt at being arty”. The rapper’s previous assertions about Beyoncé embracing country music culture included her saying she was “ashamed” at how the singer “switch[ed] from baobab trees and black parade to this literal pick me stuff.”

Banks also appeared to respond to the new version of ‘Jolene’ on the album, which many have speculated features Beyoncé making reference to Jay-Z cheating on her. “Plus who is this imaginary adversary sis thinks still wants to hump on J in 2024?,” Banks wrote. “She’s gotta find new content. Nobody, and I mean NOBODY thinks he’s even remotely attractive…LOL”.

Lastly, earlier this month, she waded in on the alleged feud between Megan Thee Stallion and Nicki Minaj, arguing that it was “about Jay-Z”. In a 20-minute rant on Instagram, she said: “Jay-Z has this way of presenting himself in the culture as a Daddy Warbucks type of figure.”

Read the full article on NME here: Read More