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Daisy Edgar-Jones has been cast as Elinor in the latest film adaptation of Jane Austen’s *Sense and Sensibility*, portraying the elder, more rational Dashwood sister. Reflecting on her own personality, Edgar-Jones shares with the BBC that she closely identifies with Elinor’s practical approach to love. “When it comes to love, I think I am very much more Elinor in every sort of way,” she explains. “I definitely lead a lot with my head and try and push aside, bury my emotion.” Still, she appreciates Elinor’s journey in the film, which allows the character to embrace a more passionate and untamed side, something Edgar-Jones feels she learned to do as well.
Directed by Georgia Oakley, the new adaptation remains faithful to Austen’s original period setting, following the Dashwood sisters through their experiences of love, loss, and societal pressures after their father’s death. Edgar-Jones notes the film’s dedication to the era while praising a fresh cinematic style. She stars opposite Esmé Creed-Miles, who plays her sister Marianne—the embodiment of sensibility—contrasting Elinor’s sense. Creed-Miles mentions she relates more to the impetuous Marianne, a fact she finds “annoying sometimes.” The two actresses had previously worked together as teenagers on the 2018 film *Pond Life*, which helped them build a strong on-screen sibling connection.
Edgar-Jones is no stranger to Austen adaptations, having risen to fame through her role in *Normal People*, but she warmly embraces the opportunity to revisit *Sense and Sensibility*. She admires the famous 1995 film version starring Emma Thompson and Kate Winslet, calling it “one of my favourite films of all time,” yet believes Austen’s timeless stories continue to resonate deeply. Both Edgar-Jones and Creed-Miles highlight how the depiction of sisterhood in the film has struck a chord with audiences. Despite being an only child herself, Edgar-Jones finds the theme of sisterly love deeply meaningful and notes hearing from viewers who are inspired to reconnect with their own sisters after watching the film.
The continued cultural presence of Jane Austen is evident, with recent anniversaries, TV shows, stage adaptations, and upcoming projects such as a new *Pride and Prejudice* Netflix series. Edgar-Jones emphasizes that Austen’s exploration of love, family relationships, and social dynamics remains highly relevant, offering keen insights into the female experience. She points out how Austen captured the nuances of modern dating challenges “before terms like that had even been invented,” making her work relatable to younger audiences today. Echoing this, Creed-Miles remarks that while watching a movie may not solve everything, it can make people feel “a little bit less alone” in their emotional experiences.
Edgar-Jones first gained significant attention during the pandemic for her role in *Normal People*, alongside Paul Mescal. The two remain close friends, and both have continued to build successful acting careers. Edgar-Jones has appeared in films like *Twisters* and *Where The Crawdads Sing*, while Mes
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