Award-winning Iranian-British stand-up comedian and actor, Omid Djalili is internationally renowned for his engaging performances. From starring in Hollywood movies like Sex and the City 2 and Mamma Mia! Here We Go Again to featuring in Channel 4’s hit series, The Change, Djalili’s talent appears to know no bounds. With his new and intimate show, Namaste, Djalili is expected to address prevalent issues such as religion, national stereotypes and politics while also exploring the current state of the world, promising to reflect on his inner anger and find peace.
On his morning ritual, Djalili explains that drinking lemon juice and ginger helps set him up for the day while simultaneously flushing out his system. Despite his humorous performances and jovial persona, Djalili admits to being extremely angry about the state of the world and mentions Gaza, Ukraine and the direction of our nation as the primary reasons behind his anger. Rather than using anger destructively, Djalili reflects on how it can be harnessed for positive change.
Growing up, Djalili had aspirations of becoming a professor of English literature. However, the encouragement of his uncle, who was himself a professor at The University of Maryland, inspired him to pursue a career in the arts. Through this conversation, Djalili learned that he could reach a wider audience with his talent as a comedian. Today, the habit he is trying to develop is that of conscious listening. According to him, it is essential to wait for a brief moment once the speaker has finished talking, instead of jumping in.
Having matured with age, Djalili has realised that only a few things in life bring joy, and these should be cherished. As an older person, he has become more selective with what he watches on television and congratulating his friends on their performances brings him double joy. In challenging times, Djalili stresses the need to stay calm and look for the truth in consultation with others. Among the books he has read, The Four Agreements: A Practical Guide to Personal Freedom by Miguel Ruiz, stands out for its four agreements: always be true to your word, never take things personally, never assume and always try your best.
Djalili reflects on the power of comedy, which he initially believed was a fun and silly way of making money while making people laugh. However, 9/11 changed his perception when he realised he could be a representative, a bridge between the East and West, through his work. He views comedy as a voice that can bring healing to people. Rather than his people, the Middle Eastern community, it is everyone. Finally, Djalili learned from his parents the importance of serving humanity and to identify and take opportunities that come our way
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