Jazmin Bean – ‘Traumatic Livelihood’ review: an honest step forward

jazmin-bean-–-‘traumatic-livelihood’-review:-an-honest-step-forward
Jazmin Bean – ‘Traumatic Livelihood’ review: an honest step forward

Jazmin Bean, a UK-based artist known for their boundary-pushing horrorcore looks and genre-defying music, debuted their newest album, “Traumatic Livelihood,” on February 23. After their unique style gained notoriety online, Bean released a debut EP, “Worldwide Torture,” in 2019 that showcased their vast range of musical influences, from Filipino folklore to futuristic pop and heavy metal.

Bean’s first LP was teased in a 2021 NME interview that promised a “very personal” project. Since then, the artist has faced upheavals in their personal life, including substance abuse and a stint in rehab. The resulting album demonstrates Bean’s growth and willingness to open up about their identity and relationships.

“Traumatic Livelihood” features Bean’s signature theatrical vocals, accompanied by arrangements that amplify each song’s emotional impact. In the eponymous title track, Bean sings about seizing opportunities and pursuing success with ruthless ambition. The song chronicles Bean’s journey as a nonbinary artist, expressing uncertainty about their gender identity while highlighting the power found in being true to oneself.

Other tracks offer moments of levity that contrast with the heavy themes of manipulation and deceit; “Favourite Toy” features an upbeat tempo and string runs, while “Shit Show” showcases Bean’s vocal range. “Black Dress,” one of the standout tracks on the album, summarizes Bean’s struggles over the last few years while expressing an optimistic desire to move forward.

Overall, “Traumatic Livelihood” is an honest reflection of Bean’s artistic journey. While the album nods to Bean’s horrorcore roots, its introspective themes and polished production signify new, open-hearted dimensions to their artistry. “Traumatic Livelihood” is the first release on Bean’s new label, Interscope

Read the full article on NME here: Read More