After facing allegations of being “industry plants,” The Last Dinner Party, a London-based five-piece band, has responded in a new interview with Variety. Frontwoman Abigail Morris addressed the accusations, explaining that the band had connections with friends in the music industry who helped them get gigs. She compared their situation to Oasis’s rise to fame and dismissed the allegations, saying, “No, that’s literally how the music industry works.” Morris also suggested that the accusations were driven by misogyny, arguing that there are many other female and non-binary-led bands operating in London that don’t receive mainstream attention.
The band responded to similar allegations last year, calling them “a nasty lie.” The members of the group emphasized their independence, pointing out that they have known each other since they were 18, and that they have videos of themselves playing live before getting signed. The band recently released their debut album, Prelude To Ecstasy, which has achieved critical acclaim. NME gave the album four stars, calling it a success for the band despite the scrutiny levied against them.
The term “industry plants” is used for artists who appear to be independent and self-made while having the support of the music industry and financial privilege. Morris stressed that their personal connections allowed them to perform in some well-known venues. Additionally, she noted that while some people may frame the band as an antidote to their intense scrutiny, their success can be attributed to the fantastic music they create.
The Last Dinner Party faced accusations in April 2020 and were quick to address them. In their social media post, the band challenged the allegations and said, “None of us have famous or industry parents either, shock horror!” They addressed the issue head-on and stressed their authenticity and credibility
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